Through a ritualized process, Squirewell’s work examines who curates and controls the narratives that become accepted as history; from what perspective is history written, whose stories are told, and whose are neglected?
“As a child of the hip hop era, born in the 70s, growing up in the 80s and 90s, I look at my work as almost remixing, crate-digging, but my crates are museums, private collections, and historical
narratives,” states Squirewell. “I remix my pieces according to my own way of writing history and who we are as people. My work exists as a veil between the spiritual and real world, it’s a bridge that offers a connection between the two.”